MATERIAL: Paper
TYPE: Manuscript
DIMENSIONS: 210 by 140 mm
COMPONENTS: Illuminated manuscript on paper. 200 leaves (including one contemporary endleaf at front), complete, single column, 7 lines of black naskh, key words and headings in red, 2 illuminated polychrome headings opening the text with borders decorated in gold around the text panels, 42 decorated hilyehs with illuminated calligraphic panels plus an additional 28 illustrations and diagrams of Islamic iconography including depictions of Mecca, Medina, the Prophet's footprint, sandal and armour among others, decorated final colophon, leaves ruled in gold, small gold roundels marking the verses throughout the text, contemporary morocco with flap, central medallions and corner-pieces stamped in gold, covers also ruled in gold
CONDITION: A few small spots or smudges, mostly affecting margins, spine cracked, a few leaves loose or becoming loose, western ownership inscriptions dating 1931 and 1947 to front free end paper. Hinges cracked, spine ends repaired, extremities a little scuffed.
ITEM ID: 4427
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A Large Ottoman Anam-i Sharif

DATE
Year: 1833
Decade: 1830s
Century: 19th (1801-1900)
Notes: Ottoman Turkey, dated 1249 AH (1833 AD).

The Anam-i Sharif is a Sunni prayerbook that takes its name from the Surah al-Anam , the sixth surah in the Qur’an, which is usually one of the first surah to feature in the text along with other prayers and a series of hadith. This prayer book can be seen as an adaptation of Jazuli’s Dala’il al-Khayrat because of the inclusion of the Mecca and Medina imagery, however, the Anam-i Sharif includes a wide range of additional illustrations that are not present in Jazuli’s text. These illustrations commonly relate to the Prophet Muhammad and items of eschatological relevance such as the prophet’s mantle, seal, prayer rug and rosary along with other utensils used to perform his daily purification and prayer. Such images came to have enhanced power in the Ottoman world after the Sultans began to assiduously collect actual relics of the Prophet, and devotional images of such things became greatly sought after among the Ottoman elite.

These prayer books are usually small and easily portable so they can be carried with the devout and used for daily prayers. However, the present manuscript is in an unusually large format, perhaps for artistic effect, in order to make the hilyas and calligraphic panels particularly striking.