MATERIAL: Parchment
TYPE: Ketubah
DIMENSIONS: 24X35 cm.
COMPONENTS: Ink and paint on parchment.
CONDITION: Fair condition. Folding marks and many creases, affecting text and decorations. Fading of ink and paint. Marginal open tears to right edge. Stains and traces of pasting (mainly discernible on verso).
NOTES: Provenance: The present ketubah formerly belonged to the collection of Mozes Heiman Gans (1917-1987), Amsterdam, from which a digitized version was made available on the NLI ketubah site, listing 990052790540205171.

Mozes (“Max”) Heiman Gans was a Dutch author, journalist, and jeweler. Gans grew up in the building of the "Joodse Invalide." This was the institute for poor Jewish invalids, an outstanding example of modern Jewish charity of which the controversial Rebbe Meijer de Hond (1882–1943) was the spiritual father and Gans' own father, Isaac Gans, the founder and director.

In 1943, Max Gans managed to escape to Switzerland, where he founded the Joodse Coördinatie Commissie in Genève, which acted as much as possible on behalf of the Dutch Jews under Nazi occupation. Upon his return to Amsterdam he took over the jeweler's shop of his father-in-law (who had been deported to his death), Premsela & Hamburger, specializing in silverware. Later he would write a standard work on antique silver.

At the same time he was active in Jewish affairs, becoming the head of the Central Committee for Jewish Education of the Netherlands Ashkenazi Congregation (NIK) and in 1950 assistant editor and then, from 1956 to 1966, the editor of the Dutch Jewish Weekly Nieuw Israelitisch Weekblad (NIW). As the (assistant) editor of the NIW he criticized what he saw as the short Dutch national memory of the persecution of the Dutch Jews, the apologetical attitude towards the Jewish Council by the Jewish author and lawyer Abel Herzberg (1893–1989), and the opportunistic way in which the German Widergutmachungs money was handled by the Dutch authorities.

A private collector of Judaica, Gans published in 1971 his monumental Memorbook, A Pictorial History of Dutch Jewry from the Middle Ages to 1940, with some 1,100 illustrations, which in 1987 went into its sixth printing, with an English translation published in 1977. In addition, he published three smaller albums on the Amsterdam Jewish quarter before 1940 and after – all of which were also translated into English. In 1976–77 he held the appointment of professor extraordinary in Dutch Jewish history at the University of Leiden.

For further information on ketubot of the Sephardic-Portuguese community in Hamburg, see: Shalom Sabar, The Art of the Ketubbah, I, New York: Library of the Jewish Theological Seminary, 2022, no. 217 (KET 242).
LANGUAGE
Latin Hebrew
ITEM ID: 5958
  • Artwork
  • Artwork
  • Artwork
  • Artwork
  • Artwork
  • Artwork
  • Artwork

Post a comment

Decorated Parchment Ketubah – Sephardic-Portuguese Community in Altona

DATE
Year: 1781
Decade: 1780s
Century: 18th (1701-1800)
Notes: 11th Tamuz 5541 (July 4, 1781)

Decorated parchment ketubah, for the wedding of Yaakov son of Avraham Zuzarte and Esther daughter of Yitzchak HaKatan. Altona, Hamburg, Germany, 11th Tamuz 5541 [July 4, 1781].

Written on decorated rectangular parchment sheet. Ketubah text written in square script, followed by signatures of groom and witnesses (the groom and second witness sign in Latin characters). At the bottom is the Tenaim text, also in square script, followed by the same three signatures.

The ketubah is surrounded by a rectangular frame in a repeating vegetal pattern colored red, green and yellow. Some words in large letters, formerly with gilt decoration (very faint).